In his depiction of Adam, Masaccio was also influenced by Donatello's Crucifix (1412-13) in the Santa Croce church, known for its realistic depiction. The influence of classical sculpture is evident in the proportions of both figures, while Eve's arms covering her breasts and pubic area specifically evokes the Venus Pudica pose, which was widely used by later artists. Both the lines depicting the voice of God and the sword are made of silver, though it has tarnished over time. From the arch behind them black lines depict the voice of God while above the arch an angel, dressed in red and carrying a black sword, energetically drives them forward. This early Old Master work, part of Masaccio's fresco cycle in the Brancacci Chapel, depicts a nude Adam and Eve, their body language and facial expressions conveying shame and anguish, as they are driven from the garden of Eden. This consolidated the importance of the Old Masters and placed them in a position of reverence.ġ426-1427 Expulsion from the Garden of Eden From the 18 th century, copying the works of Old Masters became the baseline for art education and students were expected to become proficient in this before being allowed to draw from life.The most famous works by Old Masters are characterized by innovation in technique and style as well as a drive to create believable figures and landscapes through the realistic representation of perspective and proportion.As in its previous usage, however, the term continues to denote a level of quality. This differs from the modern iteration of the term in which artists worked outside of the guilds or in other, more modern, contexts (for example, Paul Cézanne) can also be classed as Old Masters (or sometimes refered to as "Modern Masters"). Originally a master artist or craftsman was an individual who had been fully trained in the guild system, and had progressed to working independently, often taking on pupils of their own.
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